John Heber Stansfield by Jessie Serena Christensen, a daughter ~ Submitted by Lynda Farley Bench ~~~~~Part 1 of 2

The following pages were written by a great granddaughter of Samuel Stansfield. She tells of his

ancestory and descendants, some who are ancestors of Henry Laird Jenkins, the great grandfather of

Kerry Strauss on his mother’s side. (John Stansfield in this article is a cousin, once removed to Kerry

Strauss.) I have made a faithful attempt to copy the original printed version of this article. The words,

syntax and punctuation are Jessie Christensen’s. I contacted Vern Swanson (801-489-7082), curator of

the Springville Museum and referenced in this article, who confirmed that Jessie Christensen died “some10 years ago.” Searches of vital records have shown a Jessie Christensen buried in Spanish Fork in 1987 but I can’t confirm that is the same person. No search has turned up her full name implying that the legal name may have been different. Vern also confirmed that Jessie’s daughter, Jacqueline, also mentioned below, died in recent years and “was quite young”. Again, he could give me no specifics. He indicated a copy of the following article is archived in the Springville Museum.

- Kerry Strauss, 15Jul2008

JOHN HEBER STANSFIELD

By Jessie Serena Christensen

1 have chosen myself to write the life history of my artistic father. I am doing this to introduce a very

talented and human person to my grandchildren and great-grandchildren. I wish them to know him not

only as a talented artist who could capture the moods of nature on his canvas--its violence, serenity,

spirituality, and awesome magnitude--but as a man who was no stranger to love, playfulness,

graciousness, and, yes, anger and intolerance, too. I think they will understand him better if they read hislife history as far as I know it.John Stansfield’s nickname was Jack. I will call him by that name, since his father's name was also John.

It will simplify writing and understanding his biography to use the different names. Chapter one is my

father's and mother's genealogy, and chapter two is the beginning of the artist's life.

Some material for this "Family Life Journal" came from my childhood memories about the many events

that took place in my rents' time. Part of the material was conveyed to me through the descriptive stories my father and mother told me about their early life together.

My daughter Jacqueline and I have worked together on this history. Without her help I could not have

written it. Jacqueline did all the research and the date coordination. She interviewed many people and

wrote letters to many who were knowledgeable about my father's life and art endeavors. By deduction and common sense she found the final owners of many paintings that we hadn't known existed.

My daughter is a very precise and thorough researcher, and this history is as true and authentic as we are able to discover. It has been a pleasure for me to work with her in producing this family history, and she has also expressed her pleasure in producing it. Her husband, Rey L. Larsen, and their son Terry spent many hours working with Jacqueline and I appreciate their help immensely. My three other children, Phyllis, Jean, and Richard have helped in various ways to make it possible to write the history.

I am not a professional writer but I enjoy expressing my thoughts in this way. Writing this history has

been especially rewarding to me. It has given me the wisdom and understanding to appreciate my artistic father and my kind and intelligent mother. For the first time I have learned about the tremendous effort my father put into his art-work, and the many ways rriy mother helped and supported him.

Here is the link to Springville Museum of Fine Art where some of John H. Stansfield's paintings are displayed:  http://www.smofa.org/collections/browse html?x=artist&artist id=90

John H. Stansfield As Remembered by Leland Stansfield, A Nephew

Carl Christian Anton Christensen - An Early Pioneer of Mt. Pleasant and Popular Artist

Carl Christian Anton Christensen (November 28, 1831 – July 3, 1912). Better known as C.C.A. Christensen. He was born in Copenhagen, Denmark and studied at the Royal Academy of Art in Copenhagen. In 1850 he joined the LDS Church and subsequently served as a missionary in Norway and his native Denmark. In 1857 he immigrated to Utah, traveling with the Christiansen Handcart Company.  He was a skilled painter and decorator and decorated many homes in pioneer Utah. He is best known for his Mormon Panorama, a series of 23 large paintings that depict the history of the church. He came to Mt. Pleasant in 1859 and was one of its first settlers.  

History of Mt. Pleasant p. 32 by Hilda Madsen Longsdorf


On page 49 of the History of Mt. Pleasant we see that C.C.A. Christensen donated 10 (hours or days) of labor  5 teams and 5 wagons for the building of the Mt. Pleasant Fort.

 And page 173 we find:  Madsen and Anderson continued to operate the theatre and dance hall on the second floor of the brick building, (Old  ZCMI) and here the public witnessed Shakespearean plays by John S. Lindsay and Company, also other high class companies, home dramatics, etc., as well as the C. C. A. Christensen's panoramas, minstrel shows, sleight of hand performances, hypnotism, etc., and many heated political rallies, setting forth free trade, tariff on wool, etc.

The scenery for the hall was painted by C. C. A. Christensen, a very popular artist. Music for the dances was mostly furnished by the Peter Almertz orchestra, consisting of John Waldermar, Rebecca Beckstrom, Bent Hansen, and others. Brigham Lee was floor manager and prompter. The east room of the building was used as the city council headquarters. On top of the building had been arranged seats, and at daybreak on holidays the Brass Band assembled; their music could be clearly heard in the distance, as the stars and stripes were unfurled. It had been common for the band, in their band wagon, to serenade the city, and they were usually treated with plenty of home-made beer and refreshments.

History of Mt. Pleasant by Hilda Madsen Longsorf p. 173

In the fall of 1869 and on through 1870, a regularly organized Home Dramatic Company furnished the scenery by donation of the members, and Brother C. C. A. Christensen, of Ephraim, painted the pieces.

                                 PLAY

                                 By Malvina Crane, 1926

The first general gathering place I remember was the Social Hall-still standing on the southwest corner of the square. Later, Yeppa Jessen built a larger house two blocks east, which at once became the most popular place in the little community. This hall had a platform in the east end, which .our theatrical troop could use as a stage, as soon as suitable scenery could be bought from C. C. A. Christensen, a local celebrity.

History of Mt. Pleasant by Hilda Madsen Longsorf  pp. 303-304

Painting

In 1862 Christensen did stage painting for a theatre in Springville, Utah.

The first major art work that Christensen undertook while in Utah was a commission from Dimick B. Huntington to do a collection of paintings from the Bible and Book of Mormon, in collaboration with Dan Weggeland.

Christensen is best known for his Mormon Panorama, a series of 23 large paintings that depict the history of the church. Christensen also painted scenes from the Book of Mormon such as Nephi and Zoram Return with the Record. There was a whole series of Book of Mormon paintings. They were originally issued by the Sunday School for use in classrooms and were latter issued in lithography form.

Christensen began touring with the 175 feet (53 m)-long Mormon panorama in 1878. Christensen would transport it about Utah, Idaho and Wyoming, giving presentations along with the panorama. He did this during the winter when he was not busy working on his farm.

 After Christensen's death the panorama was stored away. Many years latter it was discovered again and brought back to light, partly by the efforts of Boyd K. Packer. It would gain its fullest recognition almost a century latter when it would be showed at the Whitney Museum of American Art in New York City.

Christensen also painted some of the murals in the Manti and St. George Temples. Christensen also did paintings for the Manti Tabernacle.

Another theme of some of Christensen's paintings was Manti and its surroundings.

Christensen often collaborated with Dan Weggeland in his work in Utah.

Other Utah activities

During his first days in Utah, Christensen found little time to paint. He did various odd jobs such as laying brick and burning charcoal as well as farming.

Christensen translated the lyrics of many LDS hymns into Danish. Some of his translated texts are still in use. Christensen also wrote poetry and contributed to Bikuben. Latter he would serve as an editor of that publication. He was also a coauthor of the History of the Scandinavian Mission.

Christensen was an instructor in drawing and Danish at the Sanpete Stake Academy (now Snow College).

Christensen served a second mission from 1865-1868. He went on a mission to Denmark from 1887-1889 during which he worked as the editor of the Scandinaviens Stjerne.

Information taken from Wikipedia:  

Carl Christian Anton Christensen

From Wikipedia, the free encyclopedia

"The Hill Cumorah" by C.C.A. Christensen depicting Joseph Smith, Jr. receiving the golden plates from Moroni.

The following song written by C. C. A. Christensen
was sung by Fred Christensen and Peter Monsen.

TO BUILD MOUNT PLEASANT CITY

    My Brethren and my Sisters dear,

   And for all whom I now appear,

  A little song you now shall hear

   About Mount Pleasant City,

From Brigham Young we got the word,

 To organize and build a fort

And then in unison we went forth

To build Mount Pleasant City.

Here worked every man and ox,
Some mixed the mud and laid the rocks,

 While others hauled poles and logs,
To build Mount Pleasant city.

I'll tell you how the work was done,

It was because we all were as one.
And common interest pushed us on,
To make a home and city.

We grubbed and plowed the land below,
And while we worked, the grain would grow, 

And then harvest came you know
Abundantly and pretty.

We plenty had for man and ox,

And there the Fort stood, built of rocks,

 A unit then and not of blocks,

Was then Mount Pleasant city.

We lived within, with each a room,
In which the spinning wheel and loom
Was the woman's pride and boon,
For industry and beauty.

And where a man had cows and sheep, 

And prospects for a crop to reap, 

Contented and happy he could sleep

 Because he did his duty.

But that was fifty years ago,

And times will changes bring you know,
And that we see, is even so

Here in Mount Pleasant City.

page 193  History of Mt. Pleasant by Hilda Madsen Longsdorf 

Painting of the tarring and feathering of Joseph Smith by C.C.A. Christensen.
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